Pierre-Laurent Aimard, piano. Bach: The Well-Tempered Clavier Book 2, BWV.870-893 It is a bit of a shock to the system – auditory, mental, emotional – to sit down and listen to two and a quarter-ish hours of Bach piano music, 48 separate pieces, which are without any sort of narrative or clear structure (unlike theContinue reading “Bach, Pierre-Laurent Aimard, South Bank Centre 9/5/26”
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Bach and American Minimalism: Shani Diluka, Sheffield Crucible 31/10/25
JS BACH (arr. Alexander Siloti) Prelude in E minor BWV855; GLASS Etude 2; JS BACH Prelude in C BWV846; CPE BACH Solfeggietto H220 Wq 117; GLASS Etude 9; JS BACH Prelude in F minor BWV857 ; GLASS Mad Rush; JS BACH (arr. Alfred Cortot) Arioso from Concerto No.5 in F minor BWV1056 ; MOONDOG CanonContinue reading “Bach and American Minimalism: Shani Diluka, Sheffield Crucible 31/10/25 “
Bach / Ensemble 360: Upper Chapel, Sheffield – 25/10/25 2pm
Bach: Sonata No.3 in C; Partita No.3 in E; Benjamin Nabarro, violin I have been reading a fascinating book by Kate Kennedy called ‘Cello’, about the passion and the closeness of the relationship between instrument and player, as exemplified by four historical/ contemporary figures. Amongst many other topics, she muses on whether, in the sameContinue reading “Bach / Ensemble 360: Upper Chapel, Sheffield – 25/10/25 2pm”