In no particular order:
1. Die Tote Stadt, Korngold: ENO
2. The Rhinegold, Wagner: ENO
3. Rachmaninov’s Paganini Rhapsody plus Walton’s Belshazzar’s Feast: BBCSO, Makela, Wang, Proms
4. Dialogues des Carmelites: Poulenc. Glyndebourne Festival Opera at the Proms, RAH
5. Mahler 5: Concertgebouw Orchestra, Chung, Leipzig
6. Midsummer Night’s Dream, Britten: Glyndebourne
7. Bruckner 5, Thielemann – Berlin Staatskapelle
8. Die Meistersinger, Wagner – Deutsche Oper Berlin
9. Bach Goldberg Variations – Vikingur Olafsson, Liverpool
10. Mahler 9 – Budapest Festival Orchestra, Fischer, Leipzig
It seems to me to have been an extraordinary year for excellent classical music and opera performances, in terms of what I have been able to get to (81 performances in all). I have come up with a ‘top ten’ for 2023, as above, but it was very difficult to do this, and just look at what I have had to leave out – LSO/Rattle/Janacek’s Katya Kabanova; Czech PO/Bychkov Mahler 6; Paul Lewis playing Schubert; Nelsons/Boston Symphony / Prokofiev 5; Berlioz, The Trojans at the Proms; Bayern SO/Jurowski Strauss Alpine Symphony; Handel’s Amadigi di Gaulla; Lise Davidsen in Don Carlo; the new ROHCG Rheingold; ROHCG Turandot; ROHCG Innocence; Elder/Halle – Elgar’s Dream Of Gerontius; Kurtag’s Endgame at the Proms; Peter Grimes ENO; Handel, Julius Caesar ETO; the LSO/Pappano Ades/Beethoven 7 concert; Lise Davidsen’s song recital in the Wigmore Hall, Scottish Opera’s Daphne (a full further 18 concerts/operas)